Italian city-states such as Milan, Florence and Venice played a crucial innovative role in financial development, devising the main instruments and practices of banking and the emergence of new forms of social and economic organization.[92] In coastal and southern areas, the maritime republics grew to eventually dominate the Mediterranean and monopolise trade routes to the Orient. They were independent thalassocratic city-states, though most of them originated from territories once belonging to the Byzantine Empire. All these cities during the time of their independence had similar systems of government in which the merchant class had considerable power. Although in practice these were oligarchical, and bore little resemblance to a modern democracy, the relative political freedom they afforded was conducive to academic and artistic advancement.[93] The four best known maritime republics were Venice, Genoa, Pisa and Amalfi; the others were Ancona, Gaeta, Noli, and Ragusa.[94][95][96] Each of the maritime republics had dominion over different overseas lands, including many Mediterranean islands (especially Sardinia and Corsica), lands on the Adriatic, Aegean, and Black Sea (Crimea), and commercial colonies in the Near East and in North Africa. Venice maintained enormous tracts of land in Greece, Cyprus, Istria, and Dalmatia until as late as the mid-17th century.[97]
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The Romanticism coincided with some ideas of the Risorgimento, the patriotic movement that brought Italy political unity and freedom from foreign domination. Italian writers embraced Romanticism in the early 19th century. The time of Italy's rebirth was heralded by the poets Vittorio Alfieri, Ugo Foscolo, and Giacomo Leopardi. The works by Alessandro Manzoni, the leading Italian Romantic, are a symbol of the Italian unification for their patriotic message and because of his efforts in the development of the modern, unified Italian language; his novel The Betrothed was the first Italian historical novel to glorify Christian values of justice and Providence, and it has been called the most famous and widely read novel in the Italian language.[470]
As the country grew wealthier in the 1950s, a form of neorealism known as pink neorealism succeeded, and starting from the 1950s through the Commedia all'italiana genre, and other film genres, such as sword-and-sandal followed as Spaghetti Westerns, were popular in the 1960s and 1970s.[534] Actresses such as Sophia Loren, Giulietta Masina and Gina Lollobrigida achieved international stardom during this period. Erotic Italian thrillers, or giallos, produced by directors such as Mario Bava and Dario Argento in the 1970s, also influenced the horror genre worldwide.[535] In recent years, the Italian scene has received only occasional international attention, with movies like Cinema Paradiso written and directed by Giuseppe Tornatore, Mediterraneo directed by Gabriele Salvatores, Life Is Beautiful directed by Roberto Benigni, Il Postino: The Postman with Massimo Troisi and The Great Beauty directed by Paolo Sorrentino.[536]
Duchovny, known for his role on TV's "The X-Files," stars as Bob Rueland, an architect who's trying to reassemble his life after his wife is killed. Played by Joely Richardson, she dies 20 minutes into the movie in a car crash. During the time preceding her demise the film flashes back and forth to a hospital room where Driver, starring as Grace Briggs, is on her last legs. She's waiting for a heart transplant.
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